Symbolism as Found in Kate Chopins Story of an Hour Essay

Symbolism as found in Kate Chopin’s â€Å"Story of an Hour† In Kate Chopin’s â€Å"Story of an Hour† the protagonist, Louise Mallard, is going through a life-changing event that is brought on by the news of the death of her husband, Brently Mallard. During this hour, she is told of her husband’s death, grieves for a short time, discovers that she will now be able to â€Å"live for herself† (16) and is finally able to free herself of the restrictive marriage she has been living in. The end of her last hour comes when she sees her husband walking through the door. There are many varying opinions as to why she actually died. Chopin does not directly state what Richards, Brently Mallard’s close friend, is shielding from view or why Mrs. Mallard’s sister,†¦show more content†¦It was Brently Mallard who entered, a little travel-stained, composedly carrying his gripsack and umbrella. He had been far from the scene of accident, and did not even know there had been one. He stood amazed at Josephineâ⠂¬â„¢s piercing cry; at Richards’ quick motion to screen him from the view of his wife.† (16) There is another scenario that may fit the story better than what is stated above based on the symbol given about her heart trouble. Mrs. Mallard could already have collapsed just before Brently walks in. Richards could be trying to save his friend from having to see his wife in this condition because Brently may also have a heart condition that is never discussed in the story. He may fear Brently having an attack along with Louise. Josephine’s cry could either be at the sight of Brently walking through the door, whom she thinks is already dead, or when she sees Mrs. Mallard collapse. One critic, Mark Cunningham, also believes that â€Å"Louise does not see him, and that the cause of her death lies elsewhere [and] makes the irony of the doctors’ statement that Louise dies of ‘joy that kills’ resound in ways that are more complex than the common understanding of its grants.† (Cunningham p. 1) In Dr. Kenefick’s class lecture, it was discussed why Mrs. Mallard is so joyful after thinking about her husband’s death. The story doesn’t make it seem like he was an unpleasant husband in any way and she even describes him as aShow MoreRelatedSymbolism In Kate Chopins The Story Of An Hour1013 Words   |  5 PagesWhile most of Kate Chopin’s short stories were well received, â€Å"The Story of an Hour† was originally rejected by publishers until 1894 when Vogue decided to publish the short story. However after her death most of Chopin’s work was forgotten, that was until the 1950s when her work again was recognized as insightful and moving, setting into motion a Kate Chopin revival which was both successful and remarkable (Biography). â€Å"The Story of an Hour† focuses on the liberation and new found freedom of a newlyRead MoreEssay about Symbolism in â€Å"The Story of an Hour†671 Words   |  3 Pages The symbols and imag ery used by Kate Chopins in â€Å"The Story of an Hour† give the reader a sense of Mrs. Mallard’s new life appearing before her through her view of an â€Å"open window† (para. 4). Louise Mallard experiences what most individuals long for throughout their lives; freedom and happiness. By spending an hour in a â€Å"comfortable, roomy armchair† (para.4) in front of an open window, she undergoes a transformation that makes her understand the importance of her freedom. The authors use of SpringRead MoreKate Chopins Short Story The Story of an Hour: An Analysis974 Words   |  4 Pagesï » ¿Free At Last? Kate Chopins short story, The Story of an Hour is largely about the forms of repression that women were forced to endure during the epoch in which the story was written (1894) and during much of the time that preceded it. During this time period, women quite frequently had to subjugate themselves to the will of their husbands, or to some other man who had a significant amount of control over their lives. Chopin chooses to address this phenomenon in an indirect manner with thisRead More Feminist Perspectives in a Story of an Hour Essay example985 Words   |  4 PagesFeminist Perspectives in a Story of an Hour A Woman Far Ahead of Her Time, by Ann Bail Howard, discusses the nature of the female characters in Kate Chopin’s novel’s and short stories. Howard suggests that the women in Chopin’s stories are longing for independence and feel torn between the feminine duties of a married woman and the freedom associated with self-reliance. Howard’s view is correct to a point, but Chopin’s female characters can be viewed as more radically feminist than HowardRead MoreThe Storm by Kate Chopin1332 Words   |  6 Pagesnoticed about Kate Chopin’s â€Å"The Storm,† is that it is utterly dripping with sexual imagery and symbolism. Our heroine, if you will, seems to be a woman with normally restrained passions and a well-defined sense of propriety, who finds herself in a situation that tears down her restraint and reveals the vixen within. I wonder if it was intentional that the name Calixta makes me think of Calypso – the nymph from Greek mythology. If half of the sexual symbolism I found in this story was intentionalRead MoreThe Story of the Hour Essays700 Words   |  3 PagesKate Chopin is known as a major feminist writer of the 19th century. She uses irony and symbolism to give insight to women’s roles in marriage and feminine identity. In â€Å"the story of an hour†, Chopin emphasizes the gloomy and almost slave-like status that women had in society in the late 1800’s. Chopin’s main character in this story, Mrs. Mallard, symbolizes all women of that time and the choices and treatment they had to endure. A major indication of the suppression our protagonist endures canRead More Critical Analysis of Mrs. Mallards Emotions in The Story of an Hour679 Words   |  3 PagesWrite a critical analysis of any aspect of The Story of an Hour which you found of interest and significance. Kate Chopins `The Story of an Hour is a short yet complex piece describing the feelings of Mrs Mallard. This story is overflowing with symbolism and imagery. The most prominent theme here is the longing for freedom. Chopin focuses on unfolding the emotional state of Mrs Mallard which can be separated into three stages: quickly moving to grief, through a sense of newfound freedom, andRead MoreStory Of An Hour Literary Analysis824 Words   |  4 Pagesis heartbreaking and rather unimaginable. â€Å"Sorry to say but your husband has died due to an accident.† No one wants to hear those words or go through the painful time. In â€Å"The Story of an Hour† by Kate Chopin’s, the death of her husband meant freedom and happiness. Chopin’s uses a great deal of symbolism throughout the story in order to depict the theme of freedom and happiness. Mrs. Mallard is the main character whom of which also known as Louise and she is married to Brently Mallard. Mrs. MallardsRead MoreIn Kate Chopin’S â€Å"The Story Of An Hour†, Kate Chopin Shows1602 Words   |  7 PagesIn Kate Chopin’s â€Å"The Story of an Hour†, Kate Chopin shows the realistic possibility to show what wives secretly wanted in her days. She chooses a character with a symbolic as well as a literal heart condition to provide both internal and external conflicts in such a short story to end with an ending so ironic. All in all, the conflicts and symbols that Chopin uses in â€Å"The Story of an Hour† complimented each other to reveal the theme how the true feelings of oneself can be so powerful that metaphoricallyRead MoreA Dolls House And A Dolls House Essay1421 Words   |  6 Pages Henrik Ibsen one of his most famous literature works â€Å"A doll’s house† and Kate Chopin’s short story â€Å"The story of an hour† portrays to the Victorian era, when women didn’t have rights. Both authors were born in an era where women didn’t have rights, and that women faced many aspects in life, such as being submissive to their husband’s, they were viewed as possessions than as people, and live a life that they didn’t want to live during the Victorian age. Even though Ibsen did not live the life of

Trends and Current Problems in Aviation Cockpit Voice and...

Problem statement One of the most scrutinized pieces of evidence gathered from an aircraft accident is the collection of information contained in the Cockpit Voice Recorder and Flight Data Recorder. CVRs and FDRs paint an often haunting, but frequently useful picture of what occurred during the last minutes of an accident flight. This is not to say, however, that the recorders are always conclusive, or even useful. There are a handful of cases where the CVR and FDR tapes have broken, failed to record, stopped recording early, or not captured enough information to be useful to the investigation. Advancements in these devices are not new to the industry; however, the pace is slow to incorporate new technology into current fleets.†¦show more content†¦4 Impact tolerance ...................... 3400 Gs / 6.5ms Fire resistance .......................... 1100 deg C /30 min Water pressure resistance ........ submerged 20,000 ft Underwater locator beacon ...... 37.5 KHz Battery: 6yr shelf life 30 day operation Flight Data Recorder Time recorded ........................... 25 hour continuous Number of parameters .............. 5 - 300+ Impact tolerance ....................... 3400 Gs /6.5ms Fire resistance ........................... 1100 deg. C/30 min Water pressure resistance ......... submerged 20,000 ft Underwater locator beacon ...... 37.5 KHz Battery: 6 year shelf life 30 day operation Previous accidents The NTSB has submitted five recommendations to the FAA regarding the reliability of recorders in commercial and civil aviation aircraft. The recommendations are based on historical data stemming from a series of accidents where forces interfered with the recording, and inaccurate or incomplete data was recovered from the scene of an accident. A partial list of accidents will help in evaluating the need for improved recording devices, however these are only the most recent cases in a long history of accidents where the investigation was hindered by a loss of data (Safety Issue). à º May 11, 1996, ValuJet 592, a DC-9-32, crashed shortly after departing Miami, Florida. The recorders stopped recording about 40-50 seconds before impact. All 111 onboardShow MoreRelated Trends And Current Problems In Aviation: Cockpit Voice And Flight Dat2809 Words   |  12 Pages Problem statement One of the most scrutinized pieces of evidence gathered from an aircraft accident is the collection of information contained in the Cockpit Voice Recorder and Flight Data Recorder. CVRs and FDRs paint an often haunting, but frequently useful picture of what occurred during the last minutes of an accident flight. This is not to say, however, that the recorders are always conclusive, or even useful. There are a handful of cases where the CVR and FDR tapes have broken, failed to record

Chaucer’s Pardoner’s tale Analysis on lines 520 through to 602 Free Essays

Chaucer’s depiction of everyday life demonstrates the mockery, or even disregard for kindness, honesty and the other virtues that balance the sins prone to human error and judgment. With impiety being flaunted openly in society, this shows times of rebuke and alarm in the church, even man’s faith in God’s ruling. The connotation of the extract given is simply the ease of sin and how good men can without difficulty be undone by moments of weakness and foolery. We will write a custom essay sample on Chaucer’s Pardoner’s tale Analysis on lines 520 through to 602 or any similar topic only for you Order Now He moulds the inner thoughts and desires of his characters intimately, summarising their nature rather than their movements and opinions. The rapidity of pace deciphers the verses as the tone strengthens the moral undertones. His anger shows through, particularly from lines 531 to 540 resulting in the highlighting of Chaucer’s main frustration, – avoidable wickedness – whereby they lose themselves and everything they hold dear. The sins that cause the most damage to man are pride, wrath and gluttony. These sins, along with others, diminish souls and ultimately the prospect of eternal life and happiness in heaven. The narrative is in the first person, believed to be Chaucer’s own voice and how he views people who openly sin. Chaucer’s moralistic beliefs are being highlighted through the denotation of the pardoner’s character’s actions. The pardoner seems to be the puppet outlining the loneliness of transgressions gone awry. â€Å"Now lat us sitte and drynke, and make us merie, And afterward we wol his body berie. † The church was a place of redemption in those times, people turned to the followers of God as their moral compass but the pardoner openly flaunts his lack of guidance and even his lack of guilt for his actions. He acknowledges that good doing is rewarded in the end but then is the last one to learn from his own words. Irony is rife in the pardoner’s tale as the young men all vowed to each other that they would protect and look after each other as brothers but the irony is that they have barely just sworn the oath when it is already falling apart after the first hurdle. â€Å"That oon of hem spak thus unto that oother, Thou woost wel, that oure felawe is agon, And heere is gold, and that ful greet plentee, That shal departed been among us thre. But nathelees, if I kan shape it so That it departed were among us two,† The irony of their being told that they would find death if they went the ‘crooked way’ by the old man also demonstrates their behaviour being that of a morally crooked person. When the rioters all find the money, they all draw lots for who will go and find food and drink, and who will look after the money. In the end the youngest goes to the village and requests rat poison to get rid of vermin. This suggests that he believes his ‘brothers’ to be moral vermin, which is ironic because he is already plotting the same crime as them. In each section of the passage there is a distinct expression of interaction between the two brothers and the third with the owner of the ‘pothecarie’. In both scenes they are talking about death but in different terms. The brothers are convincing one another that killing the third is appropriate, meanwhile the third brother has already convinced himself that the others must go and so is now explaining to the owner that he wants to buy poison and even refers to the brothers as vermin that bother him. This ironic turning from one brothers vow to the others as embracing them as blood, to plotting and acting out their demise. In both scenarios the link to loyalty and decency has altered to tie them together to fulfil the old mans promise of finding death. The pace is solid and rhyme continuous as it keeps the rigidity of poignant blows and references to death. The repetitiveness in mentioning death keeps it fresh and lingering in the foreground of the tale. The narrative voice morphs from character to character, expressing their views and opinions till the collective conclusion with the brothers lying deceased. The verse collects to form this imagery of shadows caressing their resting place, deep in the woods, hidden to outside man with no one to care for their wounds. References like â€Å"Arys, as though thou woldest with hym pleye, And I shal ryve hym thurgh the sydes tweye, Whil that thou strogelest with hym as in game, And with thy daggere looke thou do the same;† conjures up man wrestling for life, prehistoric society to find leaders, betrayal and dark tones. Each word strips the men of their innocence in the eyes of the reader, losing empathy and respect as Chaucer had intended. The main reason for Chaucer to react so fervently about gluttony is because it is a passage-way to sin, often prompting another sinful action. Sins are closely linked to one another, so one situation can easily escalate quickly, leading to other greater sins. â€Å"Ther is no man that lyveth under the trone Of God, that sholde lyve so murye as I. And atte laste the feend, oure enemy, Putte in his thought that he sholde poyson beye,† The seven deadly sins are pride, envy, anger, sloth, gluttony, avarice, and lechery. Geoffrey Chaucer’s masterpiece, The Canterbury Tales, provides an excellent story about the deadly sins. Focusing mainly on the sins of pride, gluttony and greed, the characters found in The Canterbury Tales, particularly The Pardoner’s Tale, are so overwhelmed by their earthly desires and ambitions that they fail to see the effects of their sinful actions, therefore depriving themselves of salvation. With the summary of the tale coming to a close, God’s image is distorted by their immoral actions, with inebriation being the initial start to the deadly seven vices. This delivers the first of human failings, sin, thereby setting the tone of guilt, showing the listener the need for remorse. Chaucer reaches this with the opening to the studied passage ‘To gete a glotoun deyntee mete and drynke! Of this matiere, o paul, wel kanstow trete — Mete unto wombe, and wombe eek unto mete, Shal God destroyen bothe, as paulus seith. Showing the drink as an accompaniment to sin, gluttony reminds each individual that sins all lead to each other as they conjure up associated personal painful experiences. These brought up alongside the counterbalanced seven virtues gives great strength to salvation. Chaucer shows himself as the narrator, or man’s conscience, as he personifies the voice of logic and reason, and so guides the reader to the inevitable conclusion. Gluttony is defined as the over-indulgence of food and drink. The pardoner said that gluttony was the sin that corrupted the world. The first form of gluttony is drunkenness. ‘o dronke manb, disfigured is thy face, sour is thy breeth, foul artow to embrace, and thurgh thy dronke nose semeth the soun as though though sedest as sampsoun, sampsoun! Drunkenness is sinful because man loses his ability to reason. The three men were guilty of gluttony when they over indulged in wine at the tavern that eventually led to swearing, lechery and the desire to harm one another, even unto death. The pardoner claimed that drunkenness played a big role when Lot committed incest with two of his daughters. Drunkenness influenced Herod’s decision when he ordered John the Baptist beheaded. With gluttony unknowingly being the passage sin committed, these two examples lead both to incest, rape and murder. The pardoner, however, did not practice what he preached. He couldn’t proceed with his exemplum until he had had something more to drink! The youngest brother is the one that most of the focal point for evil can be centred upon because he is alone in his convictions to murder. The other two have each other to coax each other on, and derive grave unfortunate conclusions but the youngest has set out, even being told by the owner â€Å"This poysoun is so strong and violent. This cursed man hath in his hond yhent†, meaning that he knows they shall suffer, feel the pain and have them know it was him that had ended their lives for his selfish gain, but still â€Å"To sleen hem bothe, and nevere to repente†. Lines 531 to 535 shows Chaucer’s complete shock and disgust, connecting alcohol with promiscuity and fake idols, which leads to being corrupt enemies of Christ. ‘I seye it now wepyng, with pitous voys that they been enemys of cristes croys, of whiche the ende is deeth, wombe is hir god! O wombe! o bely! stynkyng cod, Fulfilled of dong and of corrupcioun! The sin of lust is introduced in this verse as the men favour the satisfactions of the flesh rather than the purity of their souls, showing that they have spiritually rejected heaven and Christ. Lines 542 to 550 depicts the gluttony of their characters as painted by Chaucer’s narrative, ‘The Mary, for they caste noght awey that may go thurgh the golet softe and swoote. Of spicerie of leef, and bark, and roote shal been his sauce ymaked by delit, to make hym yet a newer appetite. But, certes, he that haunteth swiche delices is deed, whil that he lyveth in tho vices. A lecherous thyng is wyn, and dronkenesse is ful of stryvyng and of wrecchednesse. ‘ The verse portrays the men as selfish; the moral portrays their characters as turning from focused to sloth from the time they find the money. Each man believes he should have the money and so their pride and greed get in the way of their judgment, leading to wrath. The verses keep their symmetry in theme, rhythm and dark undertones. Each man set out on a different path but each with a similar goal in mind. Some plot together, â€Å"Thou knowest wel thou art my sworen brother; Thy profit wol I telle thee anon. † others convince themselves â€Å"O lorde,† quod he, â€Å"if so were that I myghte, Have al this tresor to my-self allone,† but all come to the same conclusion. The balance of good intent, to corrupt from sinful gains shadows the story that was told by a man so worthy of pity and hatred that the ironic twist is not lost, even though the men found their fate. The pardoner lives on to tell the tale and grasp his forgivable life of emotionless riches. The style carries their deceit and sins. They declare they are good but the narrative makes liars of them as their tongues no longer know what they speak. Each narrative voice shows the central characters as bad, if not misguided and foolish men, directed only by the pleasures of the material world rather than the spiritual. Their comparison of themselves to honourable men, which are good and noble, plays to their pride and make them almost boastful, if the text had been in, the first person. Alas, the raconteur continues to show the men up, following every prideful sin. For the verse to finish with the men still being wicked, deceitful, and even turning against each other, they are shown as doomed. This is the message that I believe Chaucer is trying to scream out at us; Love God, love thy neighbour. Unfortunately there is always temptation but if you follow it, it will never take you to where you thought you would end up; instead, evil will take over, strip you of your soul and leave you bare and alone. â€Å"To take the botel ther the poysoun was, And drank, and yaf his felawe drynke also, For which anon they storven bothe two. â€Å" How to cite Chaucer’s Pardoner’s tale Analysis on lines 520 through to 602, Papers